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Ethereal wave
Ethereal wave,〔Glasnost Wave magazine, issue # 42, p. 32/34, genre classification of the bands Trance to the Sun (''"Ghost Forest"''), This Ascension (''"Light and Shade"''), Soul Whirling Somewhere (''"Eating the Sea"''), Cocteau Twins and Lycia, Germany, April 1994〕〔Thomas Wacker: ''Projekt Records label portrait'', Black music magazine, issue # 7/97, p. 66, Spring 1997〕 also called ethereal darkwave,〔(Encyclopedia Gothica. An Encyclopedia of the Gothic subculture ): ''"Ethereal Darkwave"'', Terminology, June 1999〕 ethereal goth〔Propaganda: ''Projekt: Ethereal Gothic'', advertisement, issue # 19, p. 19, New York, September 1992〕 or simply ethereal,〔Hyperium Records: ''"Ethereal, Gothic & Dark Ambient"'', CD order form, booklet insert of the ''(Beneath the Icy Floe v. 3 )'' compilation (German pressing), released in 1995〕〔Discogs: Cover of the ''(Projekt: Gothic )'' compilation (see tagline), released in 2002〕 is a subgenre of dark wave music〔.〕〔Alicia Porter Smith: (''A Study of Gothic Subculture: An Inside Look for Outsiders'' ), Description of Relevant Music, July 1997, retrieved: April 23, 1999〕 and is variously described as "gothic", "romantic", and "otherworldly".〔Michael Fischer: ''("The ethereal romanticism of this EP makes for the closest thing in pop to a music for Gothic cathedrals" )'', Cocteau Twins review ("Love's Easy Tears"), The Michigan Daily, p. 7, March 23, 1987〕〔Beautiful Noise: (Robert Smith (The Cure) describes the Cocteau Twins' sound as "ethereal" and "romantic" )〕 Developed in the early 1980s〔CD Review magazine: ''"The Cocteau Twins' calling card — ethereal soundscapes marked by offbeat, haunting female vocals — was unique back in the early '80s."'', Cocteau Twins album review, p. 44, issues # 1-6, 1990〕〔Rick Poynor: ''Vaughan Oliver. Visceral Pleasures'', p. 75, Booth-Clibborn 2000, ISBN 1-8615-4072-8〕〔Fred Perry Subculture: ''"...the 4AD roots lay within a sub-set of post-punk, and it is this period in the 80s where 4AD have developed a cult status. The label, alongside its artists, nurtured and raised a new and defined sound, predominantly ethereal and dark..."'', Book presentation of Martin Aston's (Facing the Other Way: The Story of 4AD ), September 2013〕 in the UK as an outgrowth of gothic rock, ethereal was mainly represented by 4AD bands〔Staci Bonner: ''"In 1982, they hand-picked their record label, 4AD — a company that had corralled all that was gothically ethereal..."'', (Interview with the Cocteau Twins ), Reflex magazine, September 1988〕〔Colin Larkin: ''"... the label which, more than anyone else, was capable of handling their brand of ethereal, dreamlike elegance."'', Guinness Encyclopedia of Popular Music, p. 1156, Guinness Publishing 1992, ISBN 0-85112-939-0〕 such as Cocteau Twins〔Oliver Köble: ''Vollendete Gothic-Ästhetik'', interview with William Faith of Faith & The Muse (and Tess Records), Glasnost Wave magazine, issue # 44, p. 11, Germany, November/December 1994〕 and early guitar-driven Dead Can Dance.
In the second half of the 1980s, the genre continued to develop in the United States and was primarily associated with C'est La Mort Records that featured artists such as Area (later The Moon Seven Times) and Heavenly Bodies – a band formed by ex-members of Dead Can Dance and This Mortal Coil.〔Option music magazine, p. 102, Sonic Options Network 1988〕
== Origin of the term ==
The origin of the genre term(s) is not known with certainty. In the mid-1980s, several Cocteau Twins/This Mortal Coil records have been described as ''"ethereal"'',〔The Cavalier Daily: ''(This Mortal Coil album review )'' ("It'll End in Tears"), p. 8, November 7, 1985〕〔Michael Fischer: ''(Cocteau Twins album review )'' ("The Pink Opaque"), The Michigan Daily, p. 7, April 9, 1986〕 ''"etherealism"''〔Record-Journal: ''(Cocteau Twins review )'', June 15, 1986〕 or ''"ethereal romanticism"''.〔 In September 1988, Staci Bonner of Reflex magazine described the music of 4AD as ''"gothically ethereal"''.〔 Print media in the U.S., e.g. Alternative Press, SPIN, and Option music magazine, used the term ''"ethereal goth"'' more frequently, whereas European music magazines, especially German fanzines such as ''Glasnost'', ''Aeterna'', ''Entry'', ''Black'', and ''Astan'', labeled the genre ''"ethereal wave"'' in the same vein as new wave, dark wave, and cold wave.
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